Solo Shows |
|
|
|
1987-2014 |
Bowery Gallery, NYC (8 shows) |
|
1993,95 |
Piermont Flywheel Gallery, Piermont, NY |
|
1992 |
Feves Memorial Gallery, Blue Mountain Community College, Pendleton, OR |
|
1991 |
Contemporary Realist Gallery, San Francisco, CA |
|
|
|
|
Selected Group Shows |
|
|
|
2013-14 |
Schmidt Art Center, Southwestern Illinois College, Belleville, IL: Zeuxis: Still Blue,
traveling to Anderson University, Anderson IN, First Street Gallery,
New York NY, and Maryland Hall for the Creative Arts, Annapolis MD |
|
2012-13 |
Lindenwood University, St. Charles MO: Zeuxis: Reflections, traveling to Southeast
Missouri State University, Girardeau MO, Coe College, Cedar Rapids IA,
The Painting Center, New York NY, and Pennsylvania College of Art
and Design, Lancaster PA |
|
2010-11 |
The Beverly Art Center, Chicago, IL: East Meets Midwest, travels to Hoffman-LaChance
Contemporary, St. Louis, MO and Westbeth Gallery, New York, NY |
|
2010 |
Lancaster Museum of Art, Lancaster PA: Zeuxis: The Common Object, travels to Peninsula
Fine Art Center, Newport News, VA, and The Painting Center, NYC |
|
2009-10 |
Cantor Fitzgerald Gallery, Haverford College, Haverford PA: Transformation: Drawing
into Painting, travels to Western Carolina University, Cullowhee NC |
|
2009 |
The Painting Center, NYC: Water |
|
2009 |
Broome Street Gallery, NYC: Zeuxis: In/Out |
|
2008 |
Lori Bookstein Fine Art: Painting in the Park |
|
2008 |
Romano Gallery, Blair Academy, Blairstown, NJ: Paintings and Collages
(two-person show with Ken Kewley) |
|
2008 |
Ernest Rubenstein Gallery, The Educational Alliance, NYC: 10+2/2 |
|
2008 |
Delaware College of Art and Design, Wilmington, DE and SUNY Kingsborough, NY:
Outside the Box: Zeuxis Paints the Landscape |
|
2008 |
First Street Gallery, NYC: Zeuxis: Small Takes |
|
2007 |
Lori Bookstein Fine Art: On Board: An Exhibition with Zeuxis and Guests |
|
2007 |
Westbeth Gallery: Figure Painting (Curated by Simon Carr, Anthony Martino & Thaddeus Radell) |
|
2007 |
The Painting Center, NYC: Fluid Fields (Curated by Susan Shatter) |
|
2006 |
Westbeth Gallery, NYC: Summer Light III |
|
2006 |
Lori Bookstein Fine Art: Watercurrents 2006: The Figure |
|
2006 |
Washington Art Association, Washington Depot, CT: Lauren Bakoian, Glen Cebulash and John Goodrich (3 person exhibition) |
|
2005 |
Kouros Gallery, NYC: Watercurrents 2005 |
|
2004-05 |
Colby College Museum, ME; Lori Bookstein Fine Art, NYC; University of New Hampshire;
Haverford College, PA; Ohr-O’Keefe Museum, Biloxi MS: Zeuxis:Tabletop Arenas |
|
2004 |
Neptune Fine Art: Spring Painting Invitational |
|
2004 |
Kouros Gallery, NYC: Watercurrents |
|
2003 |
Westbeth Gallery, NYC: Zeuxis: A Moveable Feast |
|
2003 |
Kouros Gallery, NYC: Watercolor |
|
2003 |
Salena Gallery, Long Island Univesity, Brooklyn NY: Zeuxis at LIU |
|
2002-03 |
Denise Bibro Fine Art, NYC; Hermitage Foundation Museum, Norfolk VA; Attleboro Art Center, MA; Washington Art Association, CT: Zeuxis: Uncommon Perspectives |
|
2002 |
Denise Bibro Fine Art, NYC: Invitational Exhibition |
|
2002 |
Andrews Gallery, College of William and Mary: Plein-Aire revisited |
|
2002 |
MCS Gallery, Easton, PA: MCS Presents Bowery Gallery Artists |
|
2002 |
Denise Bibro Fine Art, NYC: Prospects: 5 Painters and the Landscape |
|
2002 |
New England College Art Gallery, Henniker NH: Zeuxis |
|
2001-02 |
Wright State University, OH; Kouros Gallery, NYC; Augustana College, IL; Purdue University, IN Zeuxis: Serial Thinking |
|
2001 |
Rittenhouse Fine Art Gallery, Philadelphia PA: Zeuxis |
|
2001 |
Marymount College, Tarrytown NY: faculty group exhibition |
|
2001-present |
National Academy of Design, School of Fine Arts: faculty group exhibitions |
|
2001 |
The Painting Center, NYC: The Power of the Seen (curated by Paula Heisen) |
|
2001 |
The Art Showcase of the Bond Market Association, NYC: The Search for Innocence |
|
2000 |
The Painting Center, NYC: Zeuxis: The Human Presence |
|
1999 |
Marywood University, Scranton. PA: Zeuxis at Marywood |
|
1999 |
Prince Street Gallery, NYC: Zeuxis: Distilled Life |
|
1999 |
Art Gallery of the University of Wisconsin, La Crosse, WI: Zeuxis: The Human Presence |
|
1999 |
Butler Gallery at Marymount College, Tarrytown, NY: Zeuxis |
|
1998 |
Kerygma Gallery, Ridgewood, NJ: Zeuixis: One Thing on Top of Another |
|
1998 |
George Sherman Union Gallery, Boston University, Boston, MA: Zeuxis |
|
1997 |
First Street Gallery, NYC: National Competition Juried by Eric Brown |
|
1996 |
Kentler International Drawing Space, Brooklyn, NY: On the Waterfront |
|
1994 |
Blair Academy, Blairstown, NJ: The Regional Landscape |
|
1994 |
Washington Art Association, Washington Depot, CT: Urban Landscape |
|
1992 |
Elizabeth Harris Gallery, NYC: Landscape Show |
|
1992 |
Elizabeth Harris Gallery, NYC: Inaugural Show |
|
1990 |
Contemporary Realist Gallery, San Francisco, CA: 121 Wooster |
|
1990 |
AMMO Artist’s Exhibition Space, Brooklyn, NY |
|
1988 |
80 Washington Square East Galleries, NYC: NYU Small Works juried exhibition |
|
1988 |
College of William and Mary, Williamsburg, VA: Drawing Invitational |
|
1978,82 |
University of California at Santa Barbara, College of Creative Studies Gallery: faculty exhibitions |
|
|
|
|
Published Writings |
|
|
|
2009-present |
Reviews of art exhibitions for City Arts |
|
2003-present |
Reviews of art exhibitions for artcritical.com, the online magazine of art and ideas |
|
2014 |
A Painter’s Sensuous Discipline, review for hyperallergic.com |
|
2013 |
The Forgotten Story of Postwar Art, review for hyperallergic.com |
|
2013 |
Catalog essay for Sally Jacobs exhibition at Prince Street Gallery, New York NY |
|
2013 |
Catalog essay for From Observation at Lancaster Galleries, Lancaster PA |
|
2012 |
Catalog essay for Steve Wheeler exhibition at David Findlay Jr Fine Art, New York NY |
|
2011 |
Catalog essay for Charles Cajori exhibition at David Findlay Jr Fine Art, New York NY |
|
2011 |
Catalog essay for Lynda Caspe exhibition at Sovereign/Santander Bank, New York NY |
|
2011 |
Catalog essay for Marianne Weil exhibition at Kouros Gallery, New York NY |
|
2011 |
Permissions and Possibilities, catalog essay for William D. Barnes exhibition at the Muscarelle Museum,
College of William and Mary, Williamsburg VA |
|
2011 |
Leland Bell, catalogue essay for Lori Bookstein Fine Art, New York NY |
|
2011 |
Observation and Invention, catalogue essay for Jan Knipe exhibition, Eleanor D. Wilson Museum,
Hollins University, Roanoke VA |
|
2011 |
Mere Pattern, catalogue essay for Ying Li exhibition, Lohin Geduld Gallery, New York NY |
|
2010 |
Jon Schueler: The Castelli Years: exhibition catalogue essay for David Findlay Jr Fine Art, New York NY |
|
2010 |
Lois Dodd, essay for Alexandre Gallery, New York NY |
|
2009 |
Five Journeys, catalog essay for “Take Five: Claire’s Choice,” Westbeth Gallery, NYC |
|
2005-2008 |
Reviews of art exhibitions for The New York Sun |
|
2008 |
Elizabeth O’Reilly: Paintings and Collages: Essay for An Sionnach, Spring 2008 |
|
2007 |
Temma Bell: A Language of Painting: exhibition catalogue essay for the Hafnarfjordur
Institute of Culture and Fine Art, Iceland |
|
2007 |
Stephen Pace: exhibition catalogue essay for Katharina Rich Perlow Gallery |
|
2007 |
Ralston Crawford: A Bountiful Restraint: exhibition catalogue essay for Salander-O’Reilly
Galleries, NYC |
|
2006 |
Ying Li, exhibition catalogue essay for The Painting Center, NYC |
|
2006 |
Lloyd Martin: Method and Happenstance, catalogue essay for Stephen Haller Gallery, NYC |
|
2005 |
Signs of the Flesh, catalogue essay for Salena Gallery, Long Island University, Brooklyn |
|
2003 |
Jolie Stahl, exhibition catalogue essay for Lori Bookstein Fine Art, NYC |
|
2002 |
Su-Li Hung, exhibition catalogue essay for June Kelly Gallery, NYC |
|
2002 |
Embodying Light, exhibition catalogue essay for Gallery Onetwentyeight, NYC |
|
2002 |
Albert Kresch, exhibition catalogue essay for Salander-O’Reilly Galleries, NYC |
|
2002 |
Working the Grid, catalogue essay for Grossman Gallery, Lafayette College, Easton, PA |
|
1996-2001 |
Review Magazine: contributing writer: approximately 75 reviews and feature articles |
|
2000 |
Vessels of Color, catalogue essay for Paul Resika exhibition, Metta Galeria, Madrid |
|
2000 |
Nell Blaine, retrospective exhibition catalogue essay for Cape Ann Historical Museum,
Gloucester, MA and Marsh Art Gallery, University of Richmond, VA |
|
2000 |
Art Dies Again, interview with art dealer Richard Feigen, WestchesterCounty Times, NY |
|
1999 |
Mirrors, catalogue essay for Steven Harvey exhibition, Schlesinger Gallery, NYC |
|
1998 |
Vicente and Resika, catalogue essay for Lizan Tops Gallery, East Hampton, NY |
|
|
|
|
Bibliography |
|
|
|
2009 |
“Six demonstrate how drawing, painting relate a thought-provoking Haverford College show,”
Victoria Donohoe, The Philadelphia Inquirer 4/24/2009 |
|
2007 |
“Art in Brief,” Maureen Mullarkey, New York Sun, 7/19/07 |
|
2007 |
“Art in Brief,” Lance Esplund, New York Sun, 2/22/07 |
|
2003 |
“Gallery Going,” David Cohen, New York Sun, 8/14/03 |
|
2003 |
“Summer Visits,” Maureen Mullarkey, August 2003 |
|
2001 |
“21 Reasons to View Still Lifes,” Mario Naves, The New York Observer 9/13/2001 |
|
2000 |
“Still Lifes Stumble on Sameness in Zeuxis Show,” New Haven Register 4/16/00 |
|
1994 |
“Urban Landscapes Opening at WAA,” Voices (Southbury, CT) 3/2/94 |
|
1992 |
“He Seeks to Paint Landscapes at a Deeper Level,” The Villager (NYC) 12/23/92 |
|
1992 |
“NY Artist’s Work Goes on Display Here,” East Oregonian (Pendleton, OR) 11/12/92 |
|
1990 |
“A Sprinkling of Exhibitions Near Factories & the Water,” Roberta Smith, The New York Times 3/23/90 |
|
|
|
|
Education |
|
|
|
1979 |
BFA in Painting, University of California at Santa Barbara |
|
Summer 1976 |
New York Studio School, Paris Session |
|
1974-75 |
New York Studio School |
|
1975-76 |
Kansas City Art Institute |
|
Summer 1974 |
Skowhegan School of Painting and Sculpture |
|
|
|
|
Teaching |
|
|
|
2001-present |
Instructor in Painting and Watercolor, National Academy of Design, School of Fine Art |
|
2009-present |
Instructor in Drawing and Painting, Haverford College, Haverford, PA |
|
Summer 2007 |
Watercolor Instructor, Long Island University, Brooklyn NY |
|
2001-06 |
Adjunct Assistant Professor, Marymount College of Fordham University, Tarrytown NY |
|
2001-05 |
Painting Instructor, Educational Alliance, NYC |
|
1998-06 |
Visiting Artist Critiques, Haverford College, Haverford, PA (4 critiques) |
|
2001 |
Visiting Artist Critique and Lecture, Pennsylvania Academy of the Fine Arts |
|
1995-99 |
Art Instructor, Greenwich House, NYC |
|
1993-97 |
Painting Instructor, Queens College Continuing Education Program, Queens |
|
1978-83 |
Visiting Lecturer, University of California at Santa Barbara, College of Creative Studies
(six semester-length courses) |
|
|
|
|
Panels |
|
|
|
2014 |
First Street Gallery, New York NY; Imogen Smith, moderator |
|
|
2013 |
The Painting Center, New York NY: Does Subject Matter Matter? |
|
|
2011 |
Maryland Institute College of Art: What We Think We Mean When We Talk About Painting |
|
|
2011 |
Lori Bookstein Gallery, New York NY: Leland Bell |
|
2010 |
Westbeth Gallery, New York NY: The Role of Empathy in Painting |
|
2010 |
Lines of Influence, Prince Street Gallery, NYC |
|
2010 |
Lancaster Museum of Art, Lancaster, PA; Imogen Smith, moderator |
|
2009 |
Moderator for “Easels,” Franklin 54 Gallery, NYC |
|
2009 |
Art Students League, NYC: Closed and Open Form: Clarity/Ambiguity; Wendy Gittler, moderator |
|
2009 |
Haverford College, Haverford, PA; Jeffrey Carr, moderator |
|
2007 |
Westbeth Gallery, 2007 |
|
2006 |
Review Panel, National Academy Museum, NYC |
|
|
|
|
Awards |
|
|
|
1983 |
Honorarium for Painting Instruction, University of California at Santa Barbara |
|
1974 |
Most Improved Painter, Skowhegan School of Painting and Sculpture |
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|
|
|
Collections |
|
The Bond Market Association, NYC |
Exxon Corporation |
Institute for Contemporary Psychotherapy, NYC |
John Phillips, U.S. Ambassador to Italy |
Other numerous private collections |