Solo Shows | 1987,90,93,95,02,07 | Bowery Gallery, NYC |
1993,95 | Piermont Flywheel Gallery, Piermont, NY | |
1992 | Feves Memorial Gallery, Blue Mountain Community College, Pendleton, OR | |
1991 | Contemporary Realist Gallery, San Francisco, CA | |
Selected | 2007 | Lori Bookstein Fine Art: On Board: An Exhibition with Zeuxis and Guests |
Group Shows | 2007 | Westbeth Gallery: Figure Painting (Curated by Simon Carr, Anthony Martino & Thad Radell) |
2007 | The Painting Center, NYC: Fluid Fields (Curated by Susan Shatter) | |
2006 | Westbeth Gallery, NYC: Summer Light III | |
2006 | Lori Bookstein Fine Art: Watercurrents 2006: The Figure | |
2006 | Washington Art Association, Washington Depot, CT: Lauren Bakoian, Glen Cebulash and John Goodrich (3 person exhibition) |
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2005 | Kouros Gallery, NYC: Watercurrents 2005 | |
2004-05 | Colby College Museum, ME; Lori Bookstein Fine Art, NYC; University of New Hampshire; Haverford College, PA; Ohr-O’Keefe Museum, Biloxi MS: Zeuxis: Tabletop Arenas | |
2004 | Neptune Fine Art: Spring Painting Invitational | |
2004 | Kouros Gallery, NYC: Watercurrents | |
2003 | Westbeth Gallery, NYC: Zeuxis: A Moveable Feast | |
2003 | Kouros Gallery, NYC: Watercolor | |
2003 | Salena Gallery, Long Island Univesity, Brooklyn NY: Zeuxis at LIU | |
2002-03 | Denise Bibro Fine Art, NYC; Hermitage Foundation Museum, Norfolk VA; Attleboro Art Center, MA; Washington Art Association, CT: Zeuxis: Uncommon Perspectives | |
2002 | Denise Bibro Fine Art, NYC: Invitational Exhibition | |
2002 | Andrews Gallery, College of William and Mary: Plein-Aire revisited | |
2002 | MCS Gallery, Easton, PA: MCS Presents Bowery Gallery Artists | |
2002 | Denise Bibro Fine Art, NYC: Prospects: 5 Painters and the Landscape | |
2002 | New England College Art Gallery, Henniker NH: Zeuxis | |
2001-02 | Wright State University, OH; Kouros Gallery, NYC; Augustana College, IL; Purdue University, IN Zeuxis: Serial Thinking | |
2001 | Rittenhouse Fine Art Gallery, Philadelphia PA: Zeuxis | |
2001 | Marymount College, Tarrytown NY: faculty group exhibition | |
2001-present | National Academy of Design, School of Fine Arts: faculty group exhibitions | |
2001 | The Painting Center, NYC: The Power of the Seen (curated by Paula Heisen) | |
2001 | The Art Showcase of the Bond Market Association, NYC: The Search for Innocence | |
2000 | The Painting Center, NYC: Zeuxis: The Human Presence | |
1999 | Marywood University, Scranton. PA: Zeuxis at Marywood | |
1999 | Prince Street Gallery, NYC: Zeuxis: Distilled Life | |
1999 | Art Gallery of the University of Wisconsin, La Crosse, WI: Zeuxis: The Human Presence | |
1999 | Butler Gallery at Marymount College, Tarrytown, NY: Zeuxis | |
1998 | Kerygma Gallery, Ridgewood, NJ: Zeuixis: One Thing on Top of Another | |
1998 | George Sherman Union Gallery, Boston University, Boston, MA: Zeuxis | |
1997 | First Street Gallery, NYC: National Competition Juried by Eric Brown | |
1996 | Kentler International Drawing Space, Brooklyn, NY: On the Waterfront | |
1994 | Blair Academy, Blairstown, NJ: The Regional Landscape | |
1994 | Washington Art Association, Washington Depot, CT: Urban Landscape | |
1992 | Elizabeth Harris Gallery, NYC: Landscape Show | |
1992 | Elizabeth Harris Gallery, NYC: Inaugural Show | |
1990 | Contemporary Realist Gallery, San Francisco, CA: 121 Wooster | |
1990 | AMMO Artist’s Exhibition Space, Brooklyn, NY | |
1988 | 80 Washington Square East Galleries, NYC: NYU Small Works juried exhibition | |
1988 | College of William and Mary, Williamsburg, VA: Drawing Invitational | |
1978,82 | University of California at Santa Barbara, College of Creative Studies Gallery: faculty exhibitions |
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Published | 2005-present | Reviews of art exhibitions for The New York Sun |
Writings | 2003-present | Reviews of art exhibitions for artcritical.com, the online magazine of art and ideas |
2007 | Stephen Pace: exhibition catalogue essay for Katharina Rich Perlow Gallery | |
2007 | Ralston Crawford: A Bountiful Restraint: exhibition catalogue essay for Salander-O’Reilly Galleries, NYC | |
2006 | Ying Li, exhibition catalogue essay for The Painting Center, NYC | |
2006 | Lloyd Martin: Method and Happenstance, catalogue essay for Stephen Haller Gallery, NYC | |
2005 | Signs of the Flesh, catalogue essay for Salena Gallery, Long Island University, Brooklyn | |
2003 | Jolie Stahl, exhibition catalogue essay for Lori Bookstein Fine Art, NYC | |
2002 | Su-Li Hung, exhibition catalogue essay for June Kelly Gallery, NYC | |
2002 | Embodying Light, exhibition catalogue essay for Gallery Onetwentyeight, NYC | |
2002 | Albert Kresch, exhibition catalogue essay for Salander-O’Reilly Galleries, NYC | |
2002 | Working the Grid, catalogue essay for Grossman Gallery, Lafayette College, Easton, PA | |
1996-2001 | Review Magazine: contributing writer: approximately 75 reviews and feature articles | |
2000 | Vessels of Color, catalogue essay for Paul Resika exhibition, Metta Galeria, Madrid | |
2000 | Nell Blaine, retrospective exhibition catalogue essay for Cape Ann Historical Museum, Gloucester, MA and Marsh Art Gallery, University of Richmond, VA |
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2000 | Art Dies Again, interview with art dealer Richard Feigen, WestchesterCounty Times, NY | |
1999 | Mirrors, catalogue essay for Steven Harvey exhibition, Schlesinger Gallery, NYC | |
1998 | Vicente and Resika, catalogue essay for Lizan Tops Gallery, East Hampton, NY | |
Bibliography | 2007 | “Art in Brief,” Maureen Mullarkey, New York Sun, 7/19/07 |
2007 | “Art in Brief,” Lance Esplund, New York Sun, 2/22/07 | |
2003 | “Gallery Going,” David Cohen, New York Sun, 8/14/03 | |
2003 | “Summer Visits,” Maureen Mullarkey, www.studiomatters.com, August 2003 | |
2001 | “21 Reasons to View Still Lifes,” Mario Naves, The New York Observer 9/13/2001 | |
2000 | “Still Lifes Stumble on Sameness in Zeuxis Show,” New Haven Register 4/16/00 | |
1994 | “Urban Landscapes Opening at WAA,” Voices (Southbury, CT) 3/2/94 | |
1992 | “He Seeks to Paint Landscapes at a Deeper Level,” The Villager (NYC) 12/23/92 | |
1992 | “NY Artist’s Work Goes on Display Here,” East Oregonian (Pendleton, OR) 11/12/92 | |
1990 | “A Sprinkling of Exhibitions Near Factories & the Water,” Roberta Smith, The New York Times 3/23/90 |
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Education | 1979 | BFA in Painting, University of California at Santa Barbara |
1974-75,summer76 | New York Studio School | |
1975-76 | Kansas City Art Institute | |
Summer 1974 | Skowhegan School of Painting and Sculpture | |
Teaching | Summer 2007 | Watercolor Instructor, Long island University, Brooklyn NY |
2001-present | Instructor of Watercolor, National Academy of Design, School of Fine Art | |
2001-06 | Adjunct Assistant Professor, Marymount College of Fordham University, Tarrytown NY | |
2001-05 | Painting Instructor, Educational Alliance, NYC | |
1998,2003,04,06 | Visiting Artist Critiques, Haverford College, Haverford, PA | |
2001 | Visiting Artist Critique and Lecture, Pennsylvania Academy of the Fine Arts | |
1995-99 | Art Instructor, Greenwich House, NYC | |
1993-97 | Painting Instructor, Queens College Continuing Education Program, Queens | |
1978-83 | Visiting Lecturer, University of California at Santa Barbara, College of Creative Studies (six semester-length courses) |
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Panels | 2007 | Westbeth Gallery, 2007 |
2006 | Review Panel, National Academy Museum, NYC | |
Awards | 1983 | Honorarium for Painting Instruction, University of California at Santa Barbara |
1974 | Most Improved Painter, Skowhegan School of Painting and Sculpture | |
Corporate | The Bond Market Association, NYC | |
Collections | Exxon Corporation | |
Institute for Contemporary Psychotherapy, NYC |
Home Paintings Contact | |